Diana works with negative spaces in sculpture, which creates art that pulls you into the piece.
In the Suspended After Image, she basis the start on a fresco from The Prado - a robe from an unknown author. She then casts the robe, minus the wearer, as the column that anchors the piece.
|Detail of the robe in Suspended After Image|
|Suspended After Image|
In At The Vanishing Point, she removes the people from a fresco by Jacopo - The Visitation. This focuses the work on the plane and structure of the mountain landscape.
|At The Vanishing Point|
In her painting, which she doesn't title, she explores the effect of layering and removing excess. Her work was fascinating and moving.
At The Vanishing Point
Marianne Boesky Gallery
Sept 14 - Oct 20
509 West 24th Street, NY NY