The author of Dear Jane is Joan Beber, who has made a name for herself with her paintings and performance art. Here she is expanding into the territory of playwright and is not as successful. The best parts of Dear Jane are the imagery and paintings. These visual pieces tend to keep the continuity of the show together, working against a confusing non-linear and non-traditional structure.
Dear Jane is seemingly the story of the author, Joan Beber, here called Julie (Jenny Piersol). Juie is writing the story of her life in vignettes. Julie is a twin of Jane (Amada Rose), and many of the vignettes are framed as letters or discussion between the two women. We move in time between 1940s and the present as Julie grows up, gets married, gets divorced, gets degrees and creates art. The story is a reflection back onher own life.
This life story is told in a non-linear format, with jumps and starts in the order which the fictional Julie is ready to tackle her demons. Julie gives us clues as to what is important, what is still painful and what she has come to terms with.
|Jane (Amanda Rose) looks on as Julie (Jenny Peirsol) and her boyfriend Michael Romeo Ruocco chat. Photo by Russ Rowland|
This technique is further complicated by the manner in which the play is presented. Dear Jane is presented as a rehearsal by a community theater group. This gives the playwright the ability to not only reorder things in the play, but to change that reorder on the fly in this “rehearsal” and for everyone to step out of character. Either format, the non-linear storytelling or the rehearsal path, would be challenging, but together they force the audience to really work in order to follow the show. It is often not successful.
There are some touching moments, some beautiful singing and some very trite moments. Throughout the show, the specter of Jane haunts the stage. Sometimes Julie and Jane interact, sometimes they eye each other wistfully and sometimes Jane watches the proceedings with a detached bemusement. It is unclear if Dear Jane is an explanation, an apology or proclamation, and the wandering ghost of Jane doesn’t help clear it up.
Outside of Jane and Julie, the other five actors play various roles, major and minor. The acting is exceptionally good, but the characters are rather one dimensional – which makes sense since these are Julie’s remembrances of the characters. I found Dear Jane more rapid-fire musings than a fully realized play. I think the author’s background in performance art may not be serving her well in this medium.
Dear Jane | Playwright: Joan Beber | Director: Katrin Hilbe | Cast: Holly Cinnamon, Jon Kovach, Jenny Piersol, Amada Rose, Machael Romeo Ruocco, Brandon Timmons, Santina Umbach | Website