How To
Transcend A Happy Marriage, opening at the Lincoln Center’s Mitzie Newhouse
Theater, is an untidy show. Beautifully acted and well signposted in the first
act, the second act is a bit of a mess.
It starts with
a friendly pair of married couples, Paul & George – played by Omar Metwally
and Marisa Tomei and Michael & Jane – played by Brian Hutchinson and Robin
Weigert. The ladies (George is a woman) have been friends since High School and
are still close. Both have children now, Paul and George three younger
children, Michael and Jane one teenage girl. They get together occasionally for
dinner, drinks and the odd game of scrabble.
One such night,
Jenna mentions a temp at work, Pip, who is a Bohemian in a polymorous
situation, living with 2 male partners. She is an free spirit who will only eat meat she has killed, wears want she wants and lives a wild life. Some jokes, questions and
mild titillation arise about Pip and her lifestyle. And so then the couples decide to invite Pip and her men for New
Year’s Eve.
Later, before
George leaves for the party, Marisa Tomei addresses the audience directly,
letting us know things take a bad turn. This admission plants a layer of expectation
and dread before New Year’s Eve begins.
Omar Metwally, Marisa Tomei, Lena Hall, Austin Smith, David McElwee |
At the party, enter
Lena Hall as the fascinating and sexual Pip, trailing her two male partners
(David McElwee and Austin Smith) – smart, sensual and opinionated in their own
right. The seven spend New Year’s Eve drinking, flirting, talking and eating
hash brownies. Yeah, you know where this is going. Pip is a magnetic figure;
eyes follow Ms. Hall no matter what she does. Her sexy rendition of “She’ll Be
Comin’ ‘Round The Mountain” is an oddly erotic tour de force.
Varying amounts
of justification, guilt, acceptance and self-reproach, follow the sexual shenanigans. The
discussions are, in varying amounts: interesting, redundant and self-indulgent.
It is as if we, as a society, have sexually and emotionally regressed since the
1960s (or decades earlier if you happened to see Unfaithfully Yours at The
Mint).
How To
Transcend a Happy Marriage is, oddly enough, bound by a set of societal
limitations that seems slightly archaic to me. The characters appear (to
themselves) to be breaking beyond norms, but their actions as normative as
possible in the situation. I would have expected no different conclusion had
this been written during the Eisenhower Administration.
How To
Transcend... is beautifully acted, particularly by Marisa Tomei and Lena Hall. But
ultimately it leaves a frustrating taste in your mouth, a self-congratulatory
Greenwich Connecticut flavor.
How
To Transcend a Happy Marriage | Playwright:
Sarah Ruhl | Director: Rebecca Taichman
| Cast: Lena Hall, Brian Hutchison, David McElwee, Omar Metwally, Naian
Gonzales Norvind, Austin Smith, Marisa Tomei, Robin Weigert
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