I liked War Paint. Which is a bit sad,
because I wanted to love it. Having Patti Lupone and Christine Ebersol on stage
in a musical is magic. And their voices are sublime. But a lot of this story
just didn’t click.
Christine
Ebersol plays Elizabeth Arden, the founder of one of the first beauty empires.
It is referenced, in passing, that Elizabeth Arden made cosmetics acceptable for
the American woman, where it has previously be the province of street walkers and entertainers. Patti Lupone
plays Helena Rubinstein, an Eastern European beauty “scientist” looking to make
women healthy and beautiful. Ms. Lupone is also saddled with a heavy and unfortunate
accent, which may be true to the character but comes off a bit moose and
squirrel.
These two women
don’t interact, but are still extremely competitive with each other. The characters face similar delimeas at the same time, quite often in a faux split screen mode. Miss Arden and Mrs. Rubinstein plot to take over the beauty world,
always at the expense of the other. John Dosset and Douglas Sills play the men
caught up in their personal and professional feud. The competition is laid out with differences in color and tone, but with their more obvious
similarities pointedly expressed to the audience.
The production
lacks subtly, the pinks of Arden versus the black and white of Rubinstein, but
it is nonetheless rich and beautiful. War
Paint signposts its intentions a mile away, but you cannot argue with
the effectiveness of its presentation. Much like the products it touts, War Paint sucks you in, even though you know it is 75% hype and 25% product.
It is a
function of the show that the women, while not interacting, still question the
same things at the same time: what it is like to be a woman in the business
world, what it is like to grow old in a business marketed at youth, what it is like
to give up a personal life for a professional life and what it is like to be an
outsider forever. Each question leads to a song and scene, nice and tidy.
War Paint is big and sumptuous
and as subtle as foghorn. With these two actresses, it all works for the most
part. No amount of chintz, eclectic hats and scenery is going to pull your gaze
from Ms. Ebersol or Ms. Lupone when they are hitting the notes they hit. These women
own the stage.
Near the end of
the show, the two ladies, now quite old, meet in person for the first time.
Their chemistry, dialog and wit make the audience long for a version of this
show where they interacted more, even if it wasn’t historically accurate.
Director
Michael Greif keeps everything humming along quite well. He is aided by some
great set design by David Korins. The story is by Doug Wright, with music and
lyrics by Scott Frankel and Michael Korie. The songs are well sung by the cast
and move the action forward, but are not particularly memorable. With these two
women, I cannot recommend War Paint
enough. But without them, I am not sure I would recommend it at all.
War Paint |
Book: Doug Wright, Music: Scott Frankel, Lyrics: Michael Korie | Director: Michael Greif | Cast: Patti Lupone, Christine Ebersole, John
Dossett and Douglas Sills
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