Two things
stand out starkly in Afterglow. First, that is a lot of naked male flesh up
there having a really good time. Second, and this knowledge grows on you more
slowly, there is amazing acting happening on stage.
Afterglow is
the first play by writer / director S. Asher Gelman. It is the story of Josh
and Alex, a married gay couple who are about 6 months away from having their
first child. Josh and Alex have an open relationship. That is, Josh and Alex
are allowed to have sex with other men, either together or separately, with
only two rules. They must be honest and they can’t spend the night with a
tryst, they have to come home before morning. Josh, played by Brandon
Haagenson, is a dynamic 30-year-old theater professional. Alex, played by
Robbie Simpson, is an equally handsome Chemistry post-grad student. They live
in New York with plenty of money.
Brandon Haagenson, Patrick Riley (photo: Mati Gelman) |
Afterglow
opens immediately after a sexual encounter with a younger man, Darius, played
by Patrick Reilly. In the afterglow of their tryst, charming banter, flirting
and plans flow between the guys. Darius and Josh seem to hit if off
exceptionally well, which Alex is accommodating of.
The rest of
Afterglow proceeds on an expected path of growing affection between Darius and
Josh, a growing feeling of alienation from Alex and a rocky ending for all.
Afterglow comes complete with the occasional shower, plenty of witty banter,
serious discussions, laughs and sex along the way. It sounds trite, but this
cast brings a real sense of honesty and emotion to the proceedings. You can
fully feel the growing bonds between all three of these men. And those slowly
growing emotions make the audience have a real stake in what happens later in
the show.
Reilly, Haagensen & Robbie Simpson (photo: Mati Gelman) |
The copious
nudity in the show also has a purpose, both metaphorical and factually. In the
first few moments, the audience is hyper aware of their nudity. All three
actors walk around nude quite a bit. Metaphorically, their emotional guards are
down when they are unclothed. Adding clothes, the stereotypical gay outfits are
used as shorthand to add a layer of detachment. Factually, the sheer amount of
nudity early takes the titillation out of the images. We see these men and
their emotions, not their body parts.
Having
lavished praise on the show, let me call some attention to the drawbacks.
First, Afterglow is rather traditionally moral. Monogamy may not work, by
polyamory is not an answer – it will lead to problems for everyone involved and
it’s often the result of a lopsided power relationship in a monogamous
relationship. That may or may not be true, but it is presented as the way of
the world here, and therefore the outcome is preordained.
Second, that
is a lot of handsome, Caucasian flesh on stage. The actors reinforce that this
“problem” - too many people to love, plenty of money and too many good-looking
people to have sex with - is a bit more upper middle class whining than
actual hardship.
I think some
people may also have an issue with the length of Afterglow, it is a bit longer
than two hours. I did not find it too long. I found the time excellently used
to slowly build connections and honesty. This is writer / director Gelman’s
first play, and I was extremely impressed by the work done here by everyone. A
special shout out has to go to Scenic Designer Ann Beyersdorfer who did a truly
spectacular job with the space. Afterglow is a bittersweet love story that will
touch you.
Afterglow |
Playwright & Director: S. Asher Gelman | Cast: Brandon Haagenson, Patrick
Reilly, Robbie Simpson | link
Brandon Haagensen and Patrick Reilly (photo: Mati Gelman) |
No comments:
Post a Comment