Off Broadway (and sometimes Broadway) Reviews and Information.

Showing posts with label Seth Moore. Show all posts
Showing posts with label Seth Moore. Show all posts

Sunday, December 3, 2017

A Deal Comes Away with Laughs, But No Easy Answers


The world premiere of A Deal at Urban Stages occurs just as the play is staged also being staged in China and one can’t help but wonder what lessons the Chinese audience will take away. A Deal depends on looking at stereotypes and assumptions with fresh eyes. That is a tough, but valuable, thing to ask audiences to do.
The funny comedy is deceptively simple. Wei-Yin Lin plays Li Su, a Chinese national who has just recently graduated from Colombia’s Master of Fine Arts program. Her parents, only known as Mr. and Mrs. Li, are played by Alan Ariano and Lydia Gaston. Mr. Li is a relatively high-ranking member of the Communist Party and he has put away some money to buy an apartment in New York for his daughter. He and his wife come to New York to buy an apartment and surprise their daughter. Mrs. Li has found memories of the stage when she was a younger woman and sympathizes with her daughter's dreams. They play then follows the child and her parents on concurrent paths.
Lydia Gaston, Wei-Yi Lin and Alan Ariano in A Deal
Li Su gets to opportunity to play the lead role in an off-Broadway play about a tragic abandoned Chinese girl and the system she struggles to grow up in. In order to sell herself to the producers, she convinces the backers and show-goers that she herself is an orphan, a product of the very system they are exposing. It is a poorly sold tale, but one the American backers are happy to exploit. This leads not just to Li Su getting the part, but to  television appearances, panel discussions and relative fame. Her parents, who don’t understand English, are none the wiser.
Mr. and Mrs. Li, after being cheated out of a down payment in Shanghai, engage the services of Peter (Pun Bandhu) an old flame and acting partner of Mrs. Li, to help them find an apartment in New York. Peter left China years ago, and is now a real estate agent in New York. Their interaction revolves around trying to get them settled in the city and Peter’s devotion to Mrs. Li. Mr. Li is annoyed at the country, the city, his wife’s ex-partner and the lack of order that China provides. He also cannot understand the idea of “becoming” an American. The pull of understood versus unexpected and stability versus opportunity is amplified by the undercurrent of Peter’s affection for Mrs. Li and the conflict that creates with Mr. Li.
A Deal looks at the dichotomy of choices and outcomes between the old and the new. Not just defined as old equals China, but generation versus generation. The China which Peter left isn’t the China that Mr. and Mrs. Li live in now. Their stereotypes of America are reinforced, just American’s expectations of China are self-reinforcing. Playwright Zhu Yi does a great job of exploiting these assumptions for laughs, but still leaving enough steel underneath the laughs to make us question our assumptions.
Helen Coxe and Seth Moore pick up multiple roles in the show, and their great acting – as with the entire troupe, is critical for making the show work so well.
It is a very good play, and Zhu Yi will do great things. That said, there are some rough edges that will hit viewer. A Deal is made up of a series vignettes, and there are a lot of them for such a short show. Occasionally this makes the show a little choppy. Director John Giampietro does a great job of making them seamless, but there are still a lot of changes. The longer scenes just pack a deeper punch.
A Deal | Playwright: Zhu Yi | Director: John Giampietro | Cast: Alan Ariano, Pun Bandhu, Helen Coxe, Lydia Gaston, Wei-Yi Lin, Seth Moore | website

Tuesday, May 1, 2012

The Electric Lighthouse: Making it in London


The first of The Flea’s trio of new plays is The Electric Lighthouse, by Ed Hime.  The title refers to a London Art House Cinema, a common bond between this group of friends and acquaintances. There are six characters, and they normally interact in various sets of 2.  It is the type of story where happenstance meetings abound and each interaction multiplies the complexity of the story.  Often times, these type of plays wrap everything up with a pat and happy ending.  The Electric Lighthouse avoids the expected route, but is extremely satisfying in its conclusion.
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The primary couple is Marie and Rick.  They are an estranged couple with unresolved feelings still at play.  As Marie, Margaret Odette carries much of the emotional heft of the show admirably.  Ms. Odette is able to hold your attention whether in silence or at full throat.  Even standing still, Ms. Odette’s Marie twitches with constrained energy.  Rick, well played by Seth Moore, is no match for Marie.  Rick is a slacker with dreams of success, but not the initiative to pursue them.  Rick is emotionally younger than his years.  He is confident in his sexual prowess and little else.  Rick can’t really commit to Marie, until she breaks up with him.  Mr. Moore and Ms. Odette have a natural rapport, honest in both tender and raw moments.
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Margaret Odette & Seth Moore in The Electric Lighthouse

Kerri and Keith, Allison Buck and Jack Corcoran respectively, work or worked at the Electric Lighthouse Theater.  For Kerri, the job is a step towards independence, her first job in London.  For Keith, it is a safe haven and sanctuary from the city.  Both Kerri and Keith need the sense of family the job provides.
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Stephen Stout plays Chaz, a London hipster video artist (with an appalling choice in pants).  Mr. Stout is the catalyst for a great deal of action, and he manages it with a light touch.  His character is outgrowing his impishness, but isn’t sure what he is growing into.  Glenna Grant plays Cynthia, the most adult of the characters.  She has made it in London already, but life isn’t living up to her expectations.
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The direction, by Kristan Seemel, was simple and well done.  The action moved well and grew in intensity as the play progressed.  The actors brought these characters to life, and made the audience care about them.  All of the actors used a British Accent, with varying degrees of success and consistency.  In a story about London, this makes sense, but a bit less cockney wouldn’t hurt.
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Kat Foster does the Set Designer duties and creates a number of unique and recognizable spaces with a minimal amount of set changes.  She has created an appropriate amount of space that these actors fill well.
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The Electric Lighthouse is an excellent start to the Trio of new plays.
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The Electric Lighthouse @ The Flea Theater
Playwright: Ed Hime
Director: Kristan Seemel
Cast: Margaret Odette, Seth Moore, Alison Buck, Jack Corcoran, Stephen Stout, Glenna Grant