Sophie Melville
is transfixing as Effie in Iphigenia in Splott. Splott, in case you don’t know,
is a depressed suburb of Cardiff, the city in Wales. Iphigenia, Effie as she is
called by everyone, is an unemployed, unhappy, listless young adult with few
prospects going forward. She is also hard, crass, bitter and nasty to everyone
from her boyfriend to strangers on the street. On the positive side, she enjoys
being a bitch.
Sophie Melville in Iphigenia In Splott. Photo by Mark Douet.jpg |
Her rage is transfixing
and often humorous, albeit exhausting, as she berates anything or
anyone that wanders into her zone of attention. Effie’s weekly routine consists of
drinking, screwing and dealing with a hang over until she is ready to do it all
again.
Iphigenia in
Splott takes this character and listens as Effie tells the story of when her life
changed, when she realized there was more possible. It is a format of a play
that is often used in single character shows, particularly British or Irish pieces.
Her story revolves around a man she met at a bar that might or might be her
soulmate and what happens to her after that meeting. It isn’t a harrowing tale,
but it is a heartbreaking story. There is a bit of social rage tacked on at the
end that tries to make the audience think twice about the plight of people like
Effie in towns like Splott.
The play is
effective and the audience connects with Ms. Melville. She gives a great
performance, but it is a performance limited by the format. The audience listens
to Effie rage and pout and swagger about for 80 minutes. It is a long time to
spend with a, mainly, unpleasant and inconsiderate bitch, even if you feel for
her. A strong Welsh accent doesn’t help matters, and makes it tough to keep up,
particularly when her volume launches into a screech.
Directed by
Rachel O’Riordan, Iphigenia in Splott forces you to care for Effie, ultimately
excusing her actions and attitude because of luck and forces well beyond her
ability to control. In this, Iphiginia comes from a very European mind-set
where your opportunities are predetermined, children pay for the crimes of
their parents and you have very little control over your fate. If you believe that, then rage might
be the only reasonable response.
Iphigenia in
Splott | Playwright: Gary Owen | Director: Rachel O’Riordan | Cast: Sophie
Melville | website
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